Books like these not only help us imagine worst-case scenarios but, hopefully, inspire us to fight against tyranny.
All by Victoria Fortune
Books like these not only help us imagine worst-case scenarios but, hopefully, inspire us to fight against tyranny.
A summary of author Laura van den Berg's invaluable advice on novel revision, and reflections on how I am applying it as I work my way through the "murky middle."
A sampling of stand-out quotes from my weekend at the Muse.
To reduce POV to whether the narrator uses first person (“I”) or third person (“He/she/they”) is deceptively simple, as though POV is a point and shoot camera, when in fact, it’s more like a manual one, with various controls that can be adjusted to alter what the reader sees.
We spend so much time laboring over just the right words to use in our writing, why shouldn’t we be as careful with the words we use about our writing?
What accounts for Cubans’ capacity for joy, and what can a writer learn from it?
The critical questions to ask, when considering whether to include a prologue: Is it necessary? Does it pique the reader’s interest in the main story? Does it provide information the reader needs to know before entering the main story? Could the information be included as a chapter in the main story?
For writers willing to look beyond the traditional path through the major publishing houses, there are many new paths to success.
When a motif works on multiple levels--telegraphing the inner desires or fears of characters, setting mood, and conveying the theme--it can make the story resonate deeply.
The ALA’s Freedom to Read statement emphasizes the librarian’s responsibility for making "available the widest diversity of views and expressions, including those which are unorthodox or unpopular with the majority."
Author Doug Brendel’s latest book, Praying for Mrs. Mombasa, won the 2021-2022 Reader Views Reviewers Choice Award for best book in the humor category.
No one individual or group can shape history. It requires a multitude of voices telling their stories.
If you enjoy research, it is easy to go down the rabbit hole.
Nationally recognized family life expert and author Lynne Griffin breaks the psychology of character down in three illuminating ways that can lead to more complex character development.
On Sunday, September 26, the American Library Association’s annual Banned Books Week officially begins. This year’s theme is “Books Unite Us. Censorship Divides Us.”
The following prompts offered by professors in the Newport MFA program can help you develop characters in the context of the story you want to tell.
Writing a “container essay” entails taking a big theme from your life and locating a small story that allows you to explore it.
Thinking of POV as a camera with settings that can be adjusted gives an idea of the complexity of this vital tool in the writer’s tool-box.
Research can be a means to gain new insight or perspective, create subtext and develop themes, and even provide structure.
In his article “What Makes Fiction Literary: Scenes vs. Postcards.” Donald Maass posits that while scenes consist of action and move the plot forward, postcards are moments when the author pauses to take a deep dive.